Tuesday, September 17, 2013

Required Reading

Last Friday, after my son Gabe had been back at school for all of 10 days, I picked him up & his nose was running. When we got home I went to bed for 3 days. I wasn't being over dramatic, but did feel hopelessly like I was living a sick version of the movie Groundhog Day. The poor kid went through this same damn thing LAST September, then in December, then March, culminating in a two week hospitalization in June; his head blown up like a balloon with a sinus infection we feared had gone in to his brain.
I used to be a Psychology Professor in a previous life & the article below was required reading. Andrea Yates was made infamous by drowning her kids during her progressively worsening postpartum PSYCHOSIS, (not postpartum depression; a HUGE difference). She had five children under the age of seven, because her & her husband believed they were,"to have as many children as God wanted us to have." She's now sitting in a psychiatric hospital for the rest of her life, while her husband divorced her & went on to marry & have more children. :  / 

Playing God On No Sleep 

By Anna Quindlan

So a woman walks into a pediatrician's office. She's tired, she's hot & she's been up all night throwing sheets into the washer because the smaller of her two boys has projectile vomiting so severe it looked like a special effect from "The Exorcist." Oh, & she's nauseated too, because since she already has two kids under the age of 5 it made perfect sense to have another, & she's four months pregnant. In the doctor's waiting room, which sounds like a cross between an orchestra tuning loudly & a 747 taking off, there is a cross-stitched sampler on the wall. It says GOD COULD NOT BE EVERYWHERE SO HE MADE MOTHERS.

This is not a joke & that is not the punch line. Or maybe it is. The woman was me, the sampler real & the sentiments it evoked were unforgettable: incredulity, disgust & that out-of-body feeling that is the corollary of sleep deprivation & adrenaline rush, with a soupcon of shoulder barf thrown in. I kept reliving this moment & others like it, as I read with horrified fascination the story of Andrea Yates, a onetime nurse suffering from postpartum depression who apparently spent a recent morning drowning her five children in the bathtub. There is a part of my mind that imagines the baby, her starfish hands pink beneath the water, or the biggest boy fighting back, all wiry arms & legs & then veers sharply away, aghast, appalled.

But there's another part of my mind, the part that remembers the end of a day in which: the milk spilled phone rang one cried another hit a fever rose the medicine gone the car sputtered another cried the cable out "Sesame Street" gone all cried out stomach upset full diaper no more diapers Mommy I want water Mommy my throat hurts Mommy I don't feel good. Every mother I've asked about the Yates case has the same reaction. She's appalled; she's aghast, & then she gets this look. The look says that at some forbidden level she understands. The looks says that there are two very different kinds of horror here. There is the unimaginable idea of the killings, & then there is the entirely imaginable idea of going quietly bonkers in the house with five kids under the age of seven.

The insidious cult of motherhood is summed up by the psychic weight of the sampler on that doctor's wall. We are meant to be all things to small people, surrounded by bromides & soppy verse & smiling strangers who talk about how lucky we are. We are lucky. My children have been the making of me as a human being, which does not mean they have not sometimes been an overwhelming & mind-boggling responsibility. That last is the love that dare not speak its name, the love that is fraught with fear & fatigue & inevitable resentment. But between the women who cannot have children & sometimes stare at our double strollers grief-stricken & the grandmothers who make raising eight or ten sound like a snap & insist we micromanage & over-analyze, there is no leave to talk about the dark side of being a surrogate deity, omniscient & out of milk all at the same time.

The weight was not always so heavy. Once the responsibility was spread around extended families, even entire towns. The sociologist Jessie Bernard had this to say: "The way we institutionalize motherhood in our society--assigning sole responsibility for child care to the mother, cutting her off from the easy help of others in an isolated household, requiring round-the clock tender, loving care & making such care her exclusive activity--is not only new & unique, but not even a good way for either women or--if we accept as a criterion the amount of maternal warmth shown--for children. It may, in fact, be the worst."

It has gotten no better since those words were uttered 25 years ago. Worse, perhaps, with all the competing messages about what women should do & be & feel at this particular moment in time. Women not working outside their homes feel compelled to make their job inside it seem both weighty & joyful; women who work outside their homes for pay feel no freedom to be ambivalent because of the sub rosa sense that they are cutting parenting corners. All of us are caught up in a conspiracy in which we are both the conspirators & the victims of the plot. In the face of all this "M" is for the million things she gave me" mythology, it becomes difficult to admit that occasionally you lock yourself in the bathroom just to be alone.

Friday, September 13, 2013

What a DIVINE Treat! YOYO 1965


In the vein of Fellini, Chaplin, Tati & Lloyd, YOYO could have been made in the 1920's or today, but is actually from a delightful series of black & white films made by Pierre Etaix in the 60's. 

'A French comedy master whose films went unseen for decades as a result of legal tangles, director & actor Pierre Etaix is a treasure the cinematic world has rediscovered & embraced with relish. His work can be placed on the spectrum of classic physical comedy, but it also stands alone in its good natured delicacy. Influenced by his experiences as a circus acrobat, clown & by the silent film comedies he adored, his movies are elegantly deadpan while radiating warmth. YOYO is collaboration with the great screenwriter Jean-Claude Carrière & is not anything less than a bracing & witty delight.'



Monday, September 9, 2013

Worth Another Look: Exit Through the Gift Shop


In the vein of Where's Waldo, 'Exit Through the Gift Shop' asks, Who's the graffiti ARTIST? Theirry Guttah? Mr. Brainwash? Bansky? AndyWarhol? ANYBODY?

One consistent theme in the reviews was the authenticity of the film: Was the film just an elaborate ruse on Banksy's part, or did Guetta really evolve into Mr. Brainwash overnight?  Glen Friedman, a prominent American photographer, successfully sued Guetta over the use of a photograph of the rap group Run DMC. French journalist Marjolaine Gout linked Mr. Brainwash with Jeff Koons & criticized Thierry Guetta's art as toilet papering.

More questions then answers, but a hell of an entertaining ride! Try it! You'll like it! 





Tuesday, September 3, 2013

Woman III HUH?


Woman III is a painting by abstract expressionist painter Willem de Kooning. Woman III is one of 6 paintings by Kooning in which the central theme was a woman. It measures 68 by 48 1/2 inches and was completed in 1953. In November 2006, the painting was sold by David Geffen to billionare Steven A. Cohen for $137.5 million, making it the second most expensive painting ever sold.



Sunday, September 1, 2013

La Maison Picassiette Festival of Lights: Chartres, France






"Raymond Isidore, the original house owner, began to build his house in 1930 & eight years later in 1938, he started to decorate his little house in mosaic. He was walking in the field when suddenly he was attracted by the flickering colors of tiny pieces of glass, porcelain & crockery. He collected & piled them in his garden. For this reason, he earn a mockery name as Picassiette means Pique (steal) assiette (plate). Some people define Picassiette as Picasso Assiette."  Feily Puspita

Since 1996, an international meeting of mosaics has been held every two years in Chartres. This event welcome the mosaic artists from 15 nations to win the awards - Prix Picassiette for professionals, amateurs insiders, amateurs & youths group categories. The next Prix Picassiette will be held in 2014 & I HOPE TO BE THERE!

 Chartres Cathedral Festival of Lights
Autumn Equinox September 21-22 2013

Sunday, August 4, 2013

Post Pope Letdown


I'm not a Catholic, but I do feel a connection to the only western church that has some grounding in ritual, recognizes Godliness in lay women & men who can & do become saints & to the obvious veneration of Mary who is rarely even mentioned in other forms of Christianity.

When Francis recently became the Pope, I got downright giddy when I heard he was asking us to remember the poor, the downtrodden & to even have compassion & acceptance of GAYS! Whoa.

Then he tried to send me & more then half of the human race back into our corner of oppression. It's o.k. not to have women priests because it is not in the original 'doctrine' & Jesus was a man. Huh?

What a shame & what would Jesus have to say about this? What a shame to be present & affirming to men & children, but not to women. What a damn shame.

Wednesday, July 24, 2013

Women I Admire! xo




Sade 54
Judy Dench 78
Frida Kahlo Died age 47

Tina Turner 73
Anna Quindlen 61
Joni Mitchell 69

Michelle Obama 49
Helen Mirren 67

Annie Lennox 58
Beyonce 31

Georgia O'Keefe died at 99
Melissa McCarthy 42
Tina Fey 43




Peg Shapiro 60
Angela May 54
Adele 25
Lori & Corbin 43

Florence Welch 26
Tilda Swinton 52



Monday, July 22, 2013

The Astonishing Range of Chagall

Marc Chagall was born Moishe Segal into a Jewish family in Liozona, Belerus, while still part of the Russian Empire in 1887. At the time of his birth, half the population of his town was Jewish. Although picturesque, the city was built mostly of wood so little
of it survived the years of occupation & destruction during World War II. He was the eldest of nine children & his father, Khatskl Shagal, was employed by a herring merchant, while his mother, Feige-Ite, sold groceries from their home. Although poor, there was always enough food to eat & the family was close.

A turning point of his artistic life came when he noticed a fellow student drawing. Chagall would later say that there was no art of any kind in his family's home & the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go & find a book in the library, idiot, choose any picture you like & just copy it." He soon began copying images from books & found the experience so rewarding he then decided he wanted to become an artist.


"He had two basic reputations," writes Lewis, "as a pioneer of modernism and as a major Jewish artist. He experienced modernism's golden age in Paris, where he synthesized the art forms of Cubism, Symbolism & Fauvism & the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk."

Years later, at the age of 57 while living in America, Chagall confirmed this when he published an open letter entitled, To My City Vitebsk: "Why? Why did I leave you many years ago? You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky & landing, bright & transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city—in his homeland. Maybe the boy is "crazy" but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection.

Although he traveled the world creating set designs, cathedral windows & opera house ceilings,  a copius collection of treasured art displayed in museums & private collections around the world & experienced the horrors of Nazism & the premature death of his beloved wife, there remains a freshness & innocence to his work that creates, in me, infectious smiles & warmth.









Thursday, July 18, 2013

Flatlining


This is my lovely son Gabriel who is 3 years old in the top picture & 13 in the bottom. It's difficult to tell from his happy smile that by the time the first one had been taken, he had been born with a lack of oxygen at birth; hospitalized for dehydration, reflux, eye surgery, adnoids out, ear tubes in & seizures. He had also been diagnosed with mental retardation & initially with ADHD, (which really turned out to be bipolar disorder), tourette's & OCD.

The thing about Gabe is none of this matters. He has been smiling since he left the womb & is an absolute savior & gift to everyone who is lucky enough to cross his path. We live in a very small community & I have not been Diane & his dad has not been Greg for a very long time..... we're Gabe's mom & dad.  He's in a teenager's body with a cognitive age of about 5 years behind that, which definitely keeps life interesting.

Gabe spent the better part of the last two weeks in Children's Hospital with what started as sinusitis in his nose, that spread to his eye & required around the clock antibiotics. He came home briefly but was back in the hospital the next day because his eye started to swell up again & one shoulder 'locked' into a weird position up towards his ears. Freaked the Doctors out, so Greg got in his car with an emergency pass for the ferry & went back. He finally got another CAT scan at 10pm & a bed by 1:30am with more IV antibiotics. They HAD been afraid that he was exhibiting signs that the infection had leaked into his BRAIN, but it hadn't, Thank God.

It was the weirdest thing when I found out he had to go back again. I told Greg he had to take him because I could NOT get my head around it. I just went completely FLAT. I could not feel a THING & I did NOT want to go back to the hospital. I called 3 close friends who all said I should probably follow them over, but finally called my therapist. She drove right over & we talked it through & she told me it was o.k NOT to go right away. THEN I started bawling. I hadn't had a decent night's sleep in days &  went to that child place of being paralyzed by exhaustion & it took her to tell me my feelings were o.k.

Long story, but a few days later when he was home again the Doctors were calling by 8am to get him to come back in for a check up, but I never called them back. Gabe has been SUCH a trooper for almost 2 weeks now that we just got in the car & drove to an animal rescue place he likes to go to & hung out like normal people. He tired easily & slept all the way home, but he was fine. It was so great to not feel fear & dread for a change.

Theo van Rysselberghe - Pointillism


" The practice of Pointillism is in sharp contrast to the traditional methods of blending pigments. Pointillism is analogous to the four-color CMYK printing process used by some color printers & large presses that place dots of Cyan (blue), Magenta (red), Yellow, & Key (black). Televisions & computer monitors use a similar technique to represent image colors using Red, Blue & Green (RGB) colors.
If red, blue & green light  are mixed, the result is something close to white light. Painting is inherently subtractive,  but pointillist colors often seem brighter than typical mixed subtractive colors. This may be partly because subtractive mixing of the pigments is avoided & partly because some of the white canvas may be showing between the applied dots. The painting technique used for pointillist color mixing is at the expense of the traditional brushwork used to delineate texture." Wickapedia

Thursday, June 6, 2013

Life is What Happens....


......when we're making plans. I have missed blogging here, but am making do on my son's I Pad since my laptop bit the dust a few months ago. Running a business on a little tap screen is tedious & I'm afraid I'm spoiled & miserable while I count pennies needed for a new MacBook. So, I will return, sooner then later I hope......

Friday, April 19, 2013

No Place On Earth


NO PLACE ON EARTH brings to light the untold story of 38 Ukrainian Jews who survived World War II by living in caves for 18 months, the longest-recorded sustained underground survival. Built upon interviews with former cave inhabitants, as well as Chris Nicola, the caving enthusiast who unearthed the story, NO PLACE ON EARTH is an extraordinary testament to ingenuity, willpower and endurance against all odds.

http://www.noplaceonearthfilm.com/ 

Tuesday, April 9, 2013

"Norurting Helinn Love"



Scarlett Lewis walked into her home a few weeks after her son Jesse, age six, was murdered at Newtown. There on the the kitchen chalkboard was a message from Jesse, written before he died. "Norurting Helinn Love" or Nurturing Healing Love, spelled phonetically.


"My nickname for Joey was Lollipop because she was sweet, round & sticky. Joey was autistic & had apraxia, which made her unable to speak. She was my life's work. .... I have to take all this energy & help other children who have special needs. We want the world to know about her life. She was amazing & now we want to keep her love going." Bob & Michelle Gay

"She sends me signs. One day I found two tiny white flowers on the floor. All I could think was, "Catherine your wings are beautiful."

Saturday, March 23, 2013

Musee d' Orsay 'The Angel of the Odd' Exhibition


'It was in the 1930s that the Italian writer & art historian Mario Praz (1896-1982) first highlighted the dark side of Romanticism, thus naming a vast swathe of artistic creation, which from the 1760s onwards exploited the shadows, excesses & irrational elements that lurked behind the apparent triumph of Enlightened Reason.

This world was created in the English Gothic novels of the late 18th century, a genre of literature that fascinated the public with its penchant for the mysterious & the macabre. Many painters, engravers & sculptors throughout Europe vied with the writers to create horrifying & grotesque worlds: Goya, Géricault, Füssli & Delacroix gave substance to the ghosts, witches & devils of Milton, Shakespeare & Goethe, whereas C.D. Friedrich & Carl Blechen cast the viewer into enigmatic, gloomy landscapes.

From the 1880s many artists picked up this legacy of Dark Romanticism, turning towards the occult, reviving myths & exploring new ideas about dreams, along with  the horror stories of Poe & Barbey d’Aurévilly. After the First World War, Surrealists took unconsciousness dreams & intoxication as the basis for artistic creation, thus putting the finishing touches to the spirit itself of Dark Romanticism. At the same time, the cinema seized on Frankenstein, Faust & other masterpieces of this genre that are now firmly established in the collective imagination.' (Excerpted from Musee d' Orsay 'The Angel of the Odd' exhibition, currently showing).

William A. Bouguereau Barrias/Nature Reveals Herself
My favorite sculpture at Musse


Tuesday, March 5, 2013

Morpho





 I descended, dreamt & drowned
bit hard the poison underground
prayed, wrote, with ground lead bits
bitten nails, tears on fits
 I lied, bled, stumbled, fled
released insects from my head
fluttered, crashed through twisted storms
quivered on slick green thorns
dropped torn wings & heavy tome
rose up stronger & alone



Thursday, February 28, 2013

Draw A Picture - Avoid Paying the Check

A card sent by Pablo Picasso as a New Year's greeting in 1919 included good wishes and a hand-drawn sketch of a holiday table. It was signed "Olga and Pablo" (Olga was Picasso's wife). Swann Galleries sold it on Nov. 29, 2012, for $27,600. It's a record price for any signed Picasso postcard sold at auction. 

Of course. There's a story told that Picasso always drew a sketch on the back of every check he sent to pay a bill. He knew that almost everyone would save the check without cashing it--because the picture made the check worth more than its face value.

Monday, February 25, 2013

Searching For Sugarman



Searching for Sugar Man is a Swedish/British documentary detailing the efforts of two Cape Town fans, Stephen 'Sugar' Segerman and Craig Bartholomew Strydom, to find out if the rumored death of American musician Rodriguez is true. Rodriguez's music, which never took off in the US had become wildly popular in South Africa but little was known about him there. In February, 2013 this won the Academy Award for Best Documentary Feature.



Thursday, February 21, 2013

Bittersweet Easter Anniversary

I just finished this cross that took HOURS to paint & is mixed with a few tears. I'm feeling the blues, purples & reds of passion & sorrow as my dad's face fades.... I cannot believe it's been almost a year (!) since his passing. I understand that 'sweet' sorrow saying more now; all the feelings that get so mixed up into the jumbled mourning bag of memories.

He would have liked this I think. He used to call me his 'mourning' child when my teen angst wardrobe existed largely of black, black & black accessories. Many more of the bright colors of this cross have been added over the years.

It's been a complicated year & has turned our family's focus to my mom who is fading in her own way now. Part of the angst is FEAR I'm sure; WHO IS this man or woman-child when the generation before us has gone? I've heard the term 'orphan' bantered around a lot this past year as friends parents continue to exit. We feel so much of the promise of life as our babies strain down the canal into the light! Later it calls up the promise of death as we barrel ever faster in our own arching towards the light beyond. It seems to me that terror of how rapidly TIME seems to SPEED UP is really the slippery slope towards our acceptance of our own mortality.

The night before my dad died we spoke on the phone & when I asked him how he was doing he asked me, 'Why is this taking so long?!' I could hear his exhaustion & found myself apologizing for the length of time it was taking for him to go. Everyone had said their goodbyes, including him & this last conversation seemed futile somehow. I remember sitting there listening to his shallow breath before I hung up.

The next morning I awoke from a really deep sleep; two hours after he passed, the phone ringing again. I went in to the bathroom later & from the next room I felt & heard the only comforting sign of his passing then or since. His now calm, strong & steady breathing, before it slowly faded away....

Tuesday, January 29, 2013

Coming To Light: Edward S. Curtis

 
Trailer for 'Coming To Light' 

 In 1895 Curtis met & photographed Princess Angeline, (c. 1800–1896), the daughter of Chief Sealth of Seattle. This was to be his first portrait of a Native American. Two of his original images were taken of her clamming at the age of 85 on the Puget Sound.


In that same year while photographing Mt. Rainer, Curtis came upon a group of scientists, one of whom was George Grinnel, an expert on Native Americans. Curtis was appointed as the Official Photographer of the Grinnell Alaskan Expedition of 1899 where Grimmel became interested in Curtis' photography & invited him to join another expedition to photograph the Blackfeet Indians of Montana in 1900. Consequently after seeing his work, J.P. Morgan provided Curtis with $75,000 to produce a series of 20 volumes on the North American Indians to include 1,500 photographs. Morgan's funds were to be disbursed over five years & were earmarked to support ONLY field- work for the books, not for writing, editing, or producing the volumes. Curtis received no salary for the project, which lasted over 20 years. 

Over 200 complete sets were eventually published. Curtis' goal had been to not just photograph, but to document as much Native American traditional life as possible before their way of life disappeared. "The information that is to be gathered, respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." Curtis made over 10,000 wax cylinder recordings of Indian language, music & took over 40,000 photographic images of over 80 tribes. He recorded tribal lore, history & described traditional foods, housing, garments, recreation, ceremonies & funeral customs. He wrote biographical sketches of tribal leaders & his material, in most cases, is the only recorded history left.

His work, of course, was not without controversy. Curtis paid natives to pose as warriors at a time when they lived with little dignity, rights or freedom. It is suggested that he altered & manipulated his pictures to create an ethnographic simulation of Native tribes untouched by Western society. It is doubtful that Curtis did this intentionally to mislead, considering his lifelong diligence to this art. His obvious intention was to showcase the American Indian, 'in their own element', as accurately as possible & applied costuming & posing of the Native Americans with idealism beyond his actual intention of realism, albeit euphemistic.

 In 1892 Edward married Clara J. Phillips, (1874–1932) & yogether they had four children: Harold, Elizabeth, Florence & Katherine. In 1896 the family moved to a new house in Seattle where the household also included Edward's mother, sister & brother, & Clara's two sisters. During the years of work on the "North American Indian" Curtis was often absent from home for most of the year, leaving Clara to manage the children & studio by herself. After several years of estrangement, Clara filed for divorce in 1919 & received the Curtis' Studio & his original negatives as her part of the settlement. Edward went with his daughter, Beth, to the studio & destroyed all of his original glass negatives. Clara went on to manage the Curtis studio with her sister Nellie & the two oldest daughters remained in Seattle, living in a boarding house. Their youngest daughter, Katherine, moved to Kitsap County WA & Curtis became a gold prospector in California.

On October 19, 1952, age 84, Curtis died of a heart attack in the home of his daughter Beth in CA, where he is buried. A terse obituary appeared in The New York Times on October 20, 1952:  

Edward S. Curtis, internationally known authority on the history of the North American Indian, died today at the age of 84. Mr. Curtis devoted his life to compiling Indian history. His research was done under the patronage of the late financier, J.P Morgan. The forward for the monumental set of Curtis books was written by President Roosevelt. Mr. Curtis was also widely known as a photographer.